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BIG FAMILY: Starring at the Huntington Playhouse in “Christmas
at Aunt Ida’s” from left to right (standing) are Krista Schwandt,
Kurt Hildebrandt, Greg Dziama, Dick Feagler, Neil Oblonsky,
Yvonne Buemi, Richie Lynch and Katie McLaughlin. Seated are
Julie Haug, Meg Parish, Lanie Richarson, Thelma Carrigan, Laura
Starnik, Mike Kunikis and Stephen A. Berg. Seated on the floor
are Connor Sweeny, Noah Holmes and Tommy Sweeny. (Photo by Tom
Merose) |
Cleveland
memories relived
in Huntington’s ‘Christmas at Aunt Ida’s’
By Art Thomas
Insights
Published Dec. 6, 2006
A
theatrical world premiere is usually an exciting event. When the
premiere is rooted in our city, the effect is magnified. That is
the case with “Christmas at Aunt Ida’s” at Bay Village’s Huntington
Playhouse.
Dick Feagler, Plain Dealer columnist, wrote an article
of his Cleveland childhood memories which became our local “Night
Before Christmas,” “PD” style. Playwright Anne McEvoy used additional
family material supplied by Feagler to expand the column into a
full length play.
The time is the first Christmas after WWII. Raised
essentially by women, the 8-year-old Feagler realized that this
Christmas Eve in 1945 would be different.
“Christmas
at Aunt Ida’s” is a play of events, but mostly it is a play
of characters. As the curtain rises on the so typical home of the
era, it is empty, but within minutes it is filled with people. Each
has a complex relationship with everyone else and we have two hours
of bustling activity on Christmas Day.
Ziggy is the family jokester, back from the war and
full of wisecracks. He is barely kept in check by Dorothy, his outspoken
wife. Greg Dziama and Lanie Richardson immerse themselves into these
characters.
Stanley sells TVs and confidently professes that a
10-inch screen is the largest we will ever see. His wife Arlene
is constantly correcting the grammar of their children Kenny and
Allen. Neil Oblonsky, Laura Starnik, Tom Sweeney and Connor Sweeney
are the Pierson family.
Watching “Christmas at Aunt Ida’s” is often frustrating
because it is nearly impossible to know who is related to who. Just
like in a real family gathering, after entering together, spouses
are seldom near each other. In this production the action is structured
with constant coming and going. Women cook in the kitchen, emerging
in aprons for a few minutes.
Men play pinochle, children are forced to perform
for cooing aunts and grandmothers and romances in-progress are discussed
with passionate candor. Every adult is careful to not swear in front
of the children. Yes, things were different back then in some ways.
The matriarch, but certainly not in control of the
family, is Peg Parish as Aunt Ida. Her second husband, Bella, is
comfortable with his dozens of new relatives and future relatives.
As Bela, Mike Kunikis gives sage advice to his son Billy, who is
engaged to Jean. Kurt Hildebrandt and Krista Schwandt are the lovers.
Long time Cleveland residents in the audience will
love the local references sprinkled through the show. There’s discussion
about the Cleveland Rams football team, which won the championship
but is leaving for Los Angeles. The new name for the local team
is the Cleveland Browns. Of course Halle’s, Hough Caterer’s white
cake, and the Sterling Linden store and tree are mentioned.
Ida dresses as Santa to give toys to the children,
and they dutifully believe that it is a special visit from St. Nick.
Young Dick Feagler takes a daredevil car drive that ends in the
destruction of a neighborhood icon. There are stories and traditions
that are unique for Feagler but which have touchstones for all of
us.
The best part of “Christmas at Aunt Ida’s” are the
brief appearances of Dick Feagler. At the show’s start, he sets
the stage and gets the action rolling. He makes a few more appearances,
and the poetry of his words are moving to everyone who has Christmas
memories. It’s Feagler playing Feagler and there is no denying the
sincerity of his speaking from his heart. His final words at the
play’s end will bring tears to eyes.
“Christmas at Aunt Ida’s” runs through Dec. 17 with
an extra performance added on Dec. 14 at 8 p.m. Call
fast (440) 871-8333 because most of the seats are
sold out.
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